For those of us who have been to Paris, and those who only dream of going, Richard Holinger‘s
new book of poems is a treasure trove of words and images. Holinger begins with a bizarre account
of a streetwise “fire-eater,” then captures the everyday lives of transients in the Paris metro. He
moves seamlessly to the more aesthetic realms of the Louvre, an ekphrastic celebration, and finally
on to the “polar express,” in which readers become virtual Arctic explorers. Holinger’s adventure of
art and ice propels us on a journey in which the unexpected astonishes and delights the reader, from
start to finish.
–Donna Pucciani has published worldwide, in Shi Chao Poetry, Poetry Salzburg, ParisLitUp, and
her work has been translated into German, Chinese, Japanese, and Italian. A recent seventh poetry
collection, EDGES, has been followed by her new chapbook, Ghost Garden.
Chief among the many pleasures to be found in Richard Holinger’s Down from the Sycamores is
the poet’s ekphrastic poems, or poems about paintings. Holinger’s lush descriptions, subtle forging
of narratives, and economical wit make these paintings come alive, as in “Arcimboldo’s Faces,” in
which “an apparition / is implied in the pairing of opposites, / a fruition of facing / one’s worst
reflection in untried glass.” Here, as elsewhere in the book, what ekphrastic poems do above all is
to measure “the gazer’s spirit,” in Shelley’s words. This collection also includes tactile and
historically resonant depictions of the Loire Valley, marked by “rain / leaving warm mosaic prints,”
and an astonishingly inhabited and paced rendition of Sir Ernest Shackleton’s failed 1916 sea
voyage to Antarctica. Down from the Sycamores is a variegated bouquet of lyric thought, sound,
and sight, which will move as well as enliven the reader.
–Christina Pugh is a Consulting Editor for Poetry, the 2019 Juniper Prize winner, a Guggenheim
Memorial Fellowship recipient, and a professor of English at University of Illinois at Chicago. Her
poetry has appeared in Poetry, The Kenyon Review, The Atlantic, and elsewhere. Author of four
poetry collections, her most recent book collects her essays on poetry, Ghosts and the
Overplus (University of Michigan).